The Picture of Dorian Gray 7

The theme of beauty is one that is commonly addressed in The Picture of Dorian Gray.  One's appearance, as suggest by Dorian, is much more than a meaningless body that holds the soul.  This is first apparent in the beginning of the novel when Dorian becomes unreasonably distressed with the thought of physically growing older and losing his attractive appearance.  His looks, after all, are the basis for his happiness throughout the novel.  For example, Basil befriends the boy because he is attractive.   This idea is also linked into our present day society.  There is such a focus on looks and how one presents himself in society and how that will dictate one's success and how one is perceived.  Here, Dorian acknowledges that, due to his attractive appearance, he will not be questioned for the evils acts he has committed, since "those finely-shaped fingers could never have clutched a knife for sin, nor those smiling lips have cried out on God and goodness" (Wilde 128).  Had he been an unattractive man with misshapen fingers and a permanent scowl, the people present would have believed him to be a murderer, since one's physical appearance dictates how one is viewed.

The Picture of Dorian Gray 6

Vanity and hypocrisy are both common themes in The Picture of Dorian Gray.  As seen through both Dorian and Lord Henry's fixation on the physical appearance of a person, how others perceive a person is far more important than the beauty of his personality.  In addition, Basil, Lord Henry, and Dorian all act in hypocritical ways.  This is first seen with Basil in the beginning of the novel.  After declaring that art should not contain the artist's influence, he refuses to show his painting of Dorian to the world because he put too much of himself into the piece.  Practically everything Lord Henry says is hypocritical to either society or to his actions.  For example, he condemns the idea of marriage, and yet he is married.  Combining both themes of vanity and hypocrisy, Dorian claims that he "love[s] scandals about other people, but scandals about [himself] don't interest [him]" (Wilde 109).  This statement portrays the theme of vanity because Dorian cares so much about how other people view him that he does not like them talking about him or his actions.  This statement also is hypocritical.  Although Dorian does not mind, and even enjoys, the downfall of others' social status, he does not want the same to happen to him.

The Picture of Dorian Gray 1 & 2

Basil, similar to Oscar Wilde himself, is extremely contradictory, especially in his opinions about art.  In his preface, Oscar Wilde discusses how art is "useless," almost ignoring the fact that he himself is an artist (Wilde viii).  Similarly, Basil explains to Lord Henry that personal feelings should be left out of art: "An artist should create beautiful things, but should put nothing of his own life into them" (Wilde 8).  This statement is most obviously contradictory and hypocritical because Basil says this after creating a painting of Dorian Gray that he claims has too much of himself in it.  If he truly felt that art should not be personal towards the artist, he could have simply painted the portrait as such.  There is also an underlying sense of uncertainty and possible hypocrisy in this statement.  Oscar Wilde was criticized by society regarding this novel because it was the common belief that the novel reflected on who Wilde was as a person and what his ideals were.  If this novel does in fact reflect Wilde and his beliefs, there is an underlying sense of hypocrisy in Basil's claiming that art should not reflect the feelings and opinions of the artist.  Based on the beginning of the novel, Basil shares the same sense of contradiction and hypocrisy as Wilde, which could possibly imply that Wilde did reflect himself in the novel.